Ryanne Kap is a Chinese-Canadian writer from Strathroy, Ontario. Her work has been featured in Grain Magazine, Feelszine, carte blanche, and elsewhere. In 2020, her short story “Heat” won first place in Grain Magazine’s Short Grain contest. You can find her online at www.ryannekap.com or on Twitter and Instagram @ryannekap.
Ryanne: Sarah, what colour are your poems, and why? You can pick one poem if you want but your poems in general, do you feel like they have a certain vibe? Do they have a colour?
Sarah: I feel like the chapbook I wrote recently, maybe it’s like a moss green. I feel like that has almost a similar vibe to how Hozier sounds, like it’s just this cryptid living in the woods, and they’re rising up from the earth and they’re just trying to dig their lover out with them. That’s the vibe of my poems, it’s like the body combined with nature.
Ryanne: Do you have a certain Hozier song that people should listen to before they read your poems?
Sarah: I think “In the Woods Somewhere” from his self-titled album from the extended edition, or “Wasteland Baby!”, like the song.
Ryanne: Victoria, if one of your poems was going to be turned into a movie, which one would it be, and who would you want to direct it?
Victoria: “The Plot The Heist The Pot.” I want co-directors. Judd Apatow and Jordan Peele cuz I think it’d be really funny but then also really cool cinematography-wise.
Victoria: Okay. You know what, I’m sorry. Right off the bat. Ryanne, what book has influenced your writing the most and why is it The Road by Cormac McCarthy?
Ryanne: First off, I will not be accepting your apology. I think The Road is really brave for not using punctuation and expecting the reader to go along with it. So you know, I also like to see what the reader will put up with. And if they will accept that there is never a plot in any of my stories. Thank you for the question.
Sarah: Can I interject?
Sarah: The Road really is fundamental to both of your writing because it has no plot like Ryanne, but also it has no punctuation like Victoria’s.
Victoria: My question for you is similar to Ryanne’s question.
Sarah: Oh no.
Victoria: If your poetry was an animal, what animal would it be?
Sarah: I feel like… Oh no. I hate this. Okay so there’s this movie called Antichrist with Willem Dafoe and it takes place a lot of the time in the wilderness and Willem Dafoe comes across all of these creatures. And there’s a fox that says “chaos reigns” out of nowhere. Recently I got a poem accepted intoRelease Any Words Stuck Inside of You III. And I think that poem is a deer, but it’s specifically the deer from Antichrist. It turns to the side, and you see that it has half a baby deer coming out of its—
Ryanne: I get it. Thank you.
Sarah: You’re welcome.
Ryanne: Sarah, what are your questions?
Sarah: Victoria, I’m thinking of the speaker of your poems. What is their sun, moon and rising?
Victoria: I think “Femme Fatale” is all just fire placements, you know what I mean. Like an Aries sun, Pisces moon, and then a Leo rising. And then everything else is Aries. Some poems are just Pisces placements, but I think it always goes between Aries and Pisces.
Sarah: Why is that?
Victoria: Because I’m not well. So I’m either really sad, or really angry. And then I think maybe the Cancer placement is the thing that tries to make it funny, because they’re like a peacemaker placement.
Sarah: Ryanne, what are 3-5 songs you would put on a playlist about your next work in progress?
Ryanne: I next have to work on five short stories about adopted Chinese Canadians for a final project that I’m doing. I would say, “1901” by Birdie, “Motion Sickness” by Phoebe Bridgers, “right where you left me” by Taylor Swift, “Chicago” by Sufjan Stevens, “Melancholy Hill” by Gorillaz. The vibe is kind of like you’re 17 and you’re realizing that you don’t know what’s going on at all.
Ryanne: Okay, as a wrap-up question, what’s it like for your close friends to also be writers?
Victoria: It’s harrowing. It’s definitely brave of us to be friends. Writing at the same time. You know, it’s such a solitary act. So, yeah, it’s solitary. It’s harrowing. It’s brave.
Sarah: You’re just saying buzzwords.
Victoria: It’s in conversation with. It’s the ways in which it’s happening. It’s speaking to.
Ryanne: Okay, thank you. Sarah?
Sarah: It’s learning vocabulary outside of the same five things that CanLit always says. What about you?
Ryanne: I will not accept any edits that are not from Google Docs. That’s what I’ve taken from this experience. There’s nothing quite like having people live-editing your document, and just yelling things in the comments.
Victoria: That’s what friendship is. It’s yelling in the Google Docs.
Ryanne: Yeah, I think that’s really profound.
Victoria: I think that’s the most profound thing I’ve said all evening.
Sarah: I think you’re both saying nothing.
Ryanne & Victoria: Yeah.
Ryanne Kap visits Brockton Writers Series via ephemera series on Wednesday, May 12, 2021 starting at 6:30pm alongside Elizabeth Hirst, Waubgeshig Rice, and Therese Estacion. Our guest speaker Tricia Fish, best known for her debut comedy feature inspired by her youth in Cape Breton – “New Waterford Girl,” talks us through, “Screenwriting versus Prose”.
Special note: As we adapt to current social distancing regulations, we’re happy to announce our event will be hosted by the wonderful ephemera series! They have already done their show online multiple times, so we are thrilled to benefit from their technical expertise, while also increasing collaboration within the literary community and growing connections between organizers, authors, and audience. You can attend the event by watching on the ephemera series YouTube channel. Please log in at 6:30.