Anubha Mehta is a Canadian writer, educator, and artist who was born in India. With a doctorate in Political Science and over two decades of Canadian public service experience, Anubha has been awarded for innovative program planning and working with diverse Canadian communities. Anubha has always balanced academics and public service with art and has been a classical dancer, theatre-actor, painter and poet. Her publication, The Politics of Nation Building and Art Patronage (2012), was a culmination of years of her research in the late 1990s.
Anubha’s debut novel Peacock in the Snow, was launched by Inanna Publications on September 28, 2018 in Toronto. It was selected for sponsorship by City of Toronto Arts Council- IFOA’s Toronto Lit Up. On October 20, 2018, the Toronto International Festival of Authors, showcased and spotlighted Anubha in a ‘Launch of Launches’ in a packed event to a community of readers, patrons, writers and authors. Peacock in the Snow was declared as one of the most anticipated books to read for Fall 2018 by the 49th Shelf. Visit her website for more information.
Ahead of her appearance on September 11, Anubha tells us about her debut novel, Peacock in the Snow.
This is a tale of a seamless, adventurous journey of a young woman across continents, cultures, and generations, to find a love that is so improbable and to uncover a secret that sets her free. It is about the tireless capacity of the human spirit to hope, strive and succeed despite impossible obstacles.
This is a story of shy and naïve Maya and how her perfect life with her new husband Veer is thrown into complete disarray when she accidentally stumbles on an ancient family secret. What begins as unwelcome behaviour by Veer’s family soon turns into something sinister. Trapped within the dark walls of her married mansion, the secret begins to haunt Maya and draw a wedge with Veer. To escape the malicious spirits lingering in the house, Maya and Veer migrate to a distant land and start rebuilding their life amongst adventure and hardship. Not knowing that the ghosts of their past have followed them, in a race against time, Maya is put to a final test. Armed with conviction and courage, she sets out to face the dark forces that lie await.
Will Maya ever be free of a dark past? Will she be able to survive so far away from home? Will her marriage stand the test of time, displacement, and hardship in a new country?
Peacock in the Snow is a story of belief, vengeance, and forgiveness. It is a story of optimism rooted in the imperfections of life. Maya’s hope makes her resilient and her courage leads to her redemption. The only way to overcome past wrongs is to face them, to conquer our fears and confront our inner demons.
In this book I talk about those sides of issues and isms, that fall within the shadows and silences of the noise- those aspects that are often overlooked. In Patriarchy’s forceful dominance – often women get indoctrinated as its gatekeepers and vulnerable men surrender their personal lives, dreams or love in a show of allegiance to this system.
Across the globe, these issues and isms don’t change, nor are they contained within geographic boundaries. They mutate with different cultures and colours and are manifest in a diversity of context, circumstance, and behaviours according to the tolerance and norms of the place. Set in both East and West, Peacock in the snow, uses a lot of symbolism, allegories and the concept of the paranormal where the possibilities of myth and magic that exist on the fringes of reality come to life and run as arteries throughout the storyline.
Anubha Mehta visits Brockton Writers Series on Wednesday, September 11, 2019 at Glad Day Bookshop, 499 Church Street, Toronto, starting at 6:30pm (PWYC) alongside Catherine Hernandez, Téa Mutonji, Charlene Challenger, and guest speaker Rosamund Small who gives us “Notes on Beautiful Collaboration in Playwriting” or “I Wrote This, Please Make It Alive and Ephemeral (But Also Do It Perfectly and Exactly How I Imagined It Every Single Time). Playwrights are simultaneously the most and least important element of the theatre. They may be the loudest voice in the rehearsal hall, or dead for five hundred years before auditions even begin.